Marty Supreme Shatters A24 Box Office Records: Biggest 4-Day Opening & Holiday Surprise Hit

Marty Supreme official poster starring Timothée Chalamet

Timothée Chalamet’s Marty Supreme has served up a massive win for A24, delivering the studio’s biggest 4-day opening weekend ever with an estimated $28.3 million domestically over the Christmas holiday frame (December 25-28, 2025). The Josh Safdie-directed ping-pong drama also claimed A24’s second-biggest 3-day opening at $17.5 million, cementing its status as a holiday breakout.

This marks a historic milestone for the indie powerhouse, surpassing previous records in extended holiday openings while trailing only Alex Garland’s Civil War ($25.5M 3-day in 2024) for traditional weekends. With a reported $60-70 million budget – A24’s most expensive ever – the strong start signals profitability and awards potential.

Marty Supreme' Box Office Success: 10 Photos as…

Deadline reports 50% of Marty Supreme opening weekend attendees ...

Breaking Down the Numbers

  • Limited Debut (Dec 19-21): $875K from just 6 theaters – record $145,933 per-screen average (best for A24 ever and highest since La La Land in 2016).
  • Wide Christmas Release: $9.5M on opening day (Dec 25), including previews.
  • Full Holiday Frame: $28.3M (4-day), beating expectations and powering past competitors like Anaconda ($23.7M 4-day).

Chalamet’s relentless marketing – from Sphere stunts to viral Zoom skits – and glowing reviews (95% Rotten Tomatoes, “B+” CinemaScore) drove younger audiences (65% under 35) and word-of-mouth.

Why This Record Matters for A24 & Chalamet

A24 proves indies can dominate holidays with originals. Chalamet continues his Christmas streak (Wonka, A Complete Unknown), drawing crowds for non-franchise films.

As 2025 ends, Marty Supreme positions itself for long legs into awards season – Oscar buzz for Chalamet is heating up.

Seen Marty Supreme yet? Think it’ll hit $100M domestic? Comment your predictions!

More box office news soon, stay tuned with FilmBuzzr!

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Sofia Ramirez has been a film writer and critic since 2022, specializing in international cinema and emerging directors. A former film festival programmer in Latin America, she transitioned to full-time blogging after years of reviewing indie features and blockbusters for local outlets. On the site, she covers global releases, festival highlights, and deep dives into underrepresented voices in Hollywood and world cinema.

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